Then, for the fog rolling in as it comes over the coastal range every morning here, the question is do I seed stitch the transition between white and pale fog blue, alternating colors in a transition? Or long horizontal lines alternating and stacking irregularly? That sounds a whole lot easier to do than seed stitch in two colors, but I’m not entirely convinced it’s the look I want.
Or I could do the color change brutalist fashion like the earth tones below: it’s this color here and that color there. Bam. Done.